President’s Letter: 2019

Sing-up-Join-up!
A message from the President

At our first board meeting of September your NJ ACDA board representatives went around the room and shared why they were serving ACDA, and what the organization means to them. For all of us there was a joy in getting together with colleagues who understand the challenges of building a choral program, the chance to be inspired at conferences, like last summer’s wonderful work with Abbie Betinis and the justice choir song book, or this upcoming Eastern Division conference Open Ears…Open Hearts. Our Elementary/Junior High Honors Choir is a fantastic inspiring opportunity for your students, as is our High School Festival, now a full week in May and including a day in the southern part of the state. Our urban/inclusivity team has received a Fund for Tomorrow grant to support the Voices United Festival in East Orange in November, bringing in both Donald Dumpson and the Westminster Choir College Jubilee Singers. Our active student chapters are planning get-togethers and enrichment activities throughout the year.

I remember the first national convention I attended as a young conductor—the joy of hearing the voices (so many tenors!) lifted together in Bach’s Dona nobis pacem, and the array of leaders in our field giving of themselves. Over the years, I am always inspired, learning something new (or being reminded of something crucial I may have forgotten) and renewed by conversations with colleagues around the country.

Please join, renew and encourage others today! We have a limited amount of free memberships (new members) available this month, email Josh Melson joshm@pctr.org –it’s that easy.

Please feel free to send your photos and events to me for posting on our facebook page https://www.facebook.com/njacdaofficial/. Our Instagram is https://www.instagram.com/njacda/ tag us in your choir posts.

Please feel free to contact your state board R & R Chairs for mentoring and help. Have a wonderful fall, and a sane start-up season!

– Anne
Dr. Anne Matlack 

ann.matlack@choralcommunities.com

Resources From your Inclusivity Chair (Libby Gopal/Kason Jackson)

Click here for pdf

The Geraldine R. Dodge Foundation: Field Trip New Jersey

DonorsChoose.org

New Jersey Department of Education: Federal Grant Programs

Music Education Grants NJMEA Educational Grant Award​: $1000 – can only receive 1 every 5 years Application Deadline: March 1 Notification of Award: after April board meeting

ACDA Fund For Tomorrow Grant

Tri-M Music Honor Society: Grants and Scholarship Opportunities

NJ Paper Mill Playhouse Adopt A School

Authentic Learning Opportunities NJSMA Urban Liason​: ​urban@njsma.com Using this data, the NJSMA is moving forward with several changes for the 2019-2020 school year:

  • Students who receive free / reduced lunch in our region will be eligible for:
    • Waived audition and participation fees for regional music festivals
    • Bus vouchers so that high school students have free transportation for auditions, rehearsals, and performances for choir, band, and orchestra.

NJACDA Voices United Choir Festival:​ ​njacdainclusivitychair@gmail.com​ – Free for Title 1 school districts *Must be an NJACDA member

NJPAC Johnny Mercer Musical Theater Program

American Young Voices​: Choir concert for all voices – $95 registration fee Location in Newark, NJ; Philadelphia NJ (music is included)

Gerald J. Luongo

Gerald J. Luongo: 1979-1981, 1983-1985

The fourth New Jersey ACDA President was Dr. Gerald J. Luongo, Principal and Choral Director at Vineland High School.

Gerald J. Luongo has been a choral director for over 40 years, having taught at Mahwah High School, Pascack Valley High School and Vineland High School, Rowan University, the College of New Jersey, Community and Church Choirs and as a Guest conductor and clinician in Pennsylvania, New York, Massachusetts, Maryland, the Carolinas, Delaware with his Choral Groups performing at State, Divisional and National Music Conventions. He has been an active member and President of the Bergen County Music Educators, the South Jersey Choral Directors Association, the NJMEA, the MENC, a life-member of the ACDA, Eastern Division Board member of the ACDA and the NJ ACDA as its President for many years. He has been involved with the New Jersey All State Chorus as Manager, State Coordinator and Chorus Director. His studies in Voice and Choral music have been at the Curtis Institute, the Julliard School and he holds degrees in Music from The College of NJ (BA,MA) and other degrees from Rowan University (MBA) and South Eastern University (PhD in Administration).

In the early 1970’s, Dr. Eugene Simpson and I were asked by the Eastern Division to build a stronger State ACDA Chapter. With the help of many dedicated teachers, the State Chapter immediately began to grow, providing State activities such as reading sessions, newsletters and the ACDA Adjudicated Choral Festival that grew from a few groups into a three-day program. The number of schools and the cooperation of the respective Choral Directors brought much attention to the quality of choral music in the State. The cooperation of both Rowan University and The College of New Jersey in providing performance venues provided exceptional opportunities for New Jersey students.

As President for several years, I was fortunate to work with so many outstanding Choral Directors whose commitment to their students and the quality of Choral Music in the State was impressive and rewarding. The cooperation of the schools and the assistance provided by my colleagues was exceptional. And every Board of Directors that served with me made a commitment to excellence. Many of these colleagues and friends have passed on but their contributions will long be remembered as they charted the course for the NJ ACDA and the importance of Choral Music in our schools. Although I retired from music and continued my career as a High School Principal, NJ State Monitor, politician and now as a businessman operating a private school, my fondest memories are the years in “making music”.

Eugene Thamon Simpson

Eugene Thamon Simpson: 1977-1979

The  third president was Dr. Eugene Thamon Simpson. Educated at Howard, Yale and Columbia Universities. While in the US Army from 1956-59, he formed he Melodaires Quartet that achieved national attention by winning the World Wide Entertainment Competition, appearing on the Ed Sullivan TV Show and touring the world for nine months entertaining troops.

Upon his discharge from Special Services, he taught in the NY High Schools for ten years and worked as a studio singer doing recordings with a plethora of major artists from Harry Belafonte to Leontyne Price. Before coming to New Jersey, he served as Choral Director and Voice Chairman at Virginia State College, and as Professor, Music Chair and Division Head at Bowie State University. He is the recipient of a Tanglewood Vocal Fellowship, a Ford Foundation Academic Administration Fellowship, and served as Chair of the Eastern Regional NASM, Governor of New Jersey NATS, Founder and National Chair of the ACDA Committee on Ethnic Music and Minority Concerns, Founder and Curator of The Hall Johnson Collection, Founder and Endower of the NATS Hall Johnson Spirituals Competition, and a Panelist on the National Endowment for the Arts. His choirs have performed at ACDA Division and National Conventions, at Carnegie Hall, the Mormon Tabernacle, the Vatican, in London, Paris, Vienna, Salzburg, St. Petersburg, Moscow, and Madrid Spain.

When Dr. Simpson came to Glassboro State College as Music Chairman in 1975, the New Jersey ACDA Presidency was vacant and the membership was depleted. As he had been active in ACDA for almost 10 years and had appeared with the Virginia State College Choir at the Southern Division Convention to an enthusiastic standing ovation, he was contacted almost immediately by the ACDA national president and asked if he would fill the vacant presidency and revive the flagging chapter. He accepted the charge and within his two-year term, almost tripled the membership. He established communication with all of the high school and college choral directors;  established adjudicated high school and college festivals with quality judges and awards. He developed a newsletter to alert and inform the directors of the festival schedule, of the regulations and procedures, of judging standards, and of the final ratings of each school. The results were instantaneous and enthusiastic. He was able to hand over to his successor a healthy, thriving chapter.

During the same period and in cooperation with the national board of ACDA, Simpson worked to incase the participation of minority choral directors,  to familiarize them with international choral standards, and encourage them to accept them for their programs. To this end, he convened a Symposium for Black Choral Directors to discuss the kinds of choral literature that should be taught in accredited schools, adjudication standards, and modern choral techniques. The idea that Black choirs were not chosen because of racial bias was dispelled and the fact of competitive auditions was emphasized. Upon receipt of the report of this Symposium, the national organization demonstrated its good faith by granting his request to constitute a National Committee on Ethnic Music and Minority Concerns to develop a greater appreciation for diverse music literature and to encourage participation by minority conductors. Simpson chaired the national committee for seven years and organized a committee in each ACDA Division.

Ralph Hunter

Ralph Hunter: 1977-1977

(As told by: Eugene Thamon Simpson Ed.D: I came to Glassboro State College as Music Department Chairman on January 26, 1975. My recollection of what happened before that is based only on what I heard from Professor Clarence Miller, my colleague in the department.)

The second president of New Jersey ACDA was Ralph Hunter. A native of East Orange, NJ, Hunter was a professor at Hunter College and a professional recording artist with the Ralph Hunter Choir.
Known for his passionate conducting of polychoral and spatially stereophonic music, Mr. Hunter also worked in radio and television and recorded five albums with the Ralph Hunter Choir.
In 1954 Mr. Hunter became head of the Collegiate Chorale, an amateur choir in New York. From an ensemble of eight women and 10 men the group swelled to a 100-member chorus known for performing polychoral works by composers like Thomas Tallis and Henry Brant.
Mr. Hunter led a choir giving a series of NBC television performances with the conductor Arturo Toscanini and later conducted a campaign choir called the Voices for Nixon. In 1970 he was named professor of music at Hunter College after serving as an associate professor for one year. In addition to teaching choral literature, conducting and arranging, he led biannual choral concerts. He retired in 1987.
A native of East Orange, N.J., Mr. Hunter began his music career with a position as a church organist at the First Reform Church in Newark. After serving in World War II, he attended the Juilliard School.
Hunter resigned from the presidency and left the position vacant and the chapter rudderless.

Clarence Miller: 1961-1964, 1972-1977

(As told by: Eugene Thamon Simpson Ed.D: I came to Glassboro State College as Music Department Chairman on January 26, 1975. My recollection of what happened before that is based only on what I heard from Professor Clarence Miller, my colleague in the department.)

The first president of the New Jersey Chapter was Clarence Miller of Glassboro State College. Miller served two 2-year terms. I have no knowledge of the initiatives that he promoted or sponsored.

Clarence MillerClarence Miller, Professor Emeritus, Glassboro State College (now Rowan University),  graduated from Mount Union College in Alliance, OH, received his MM from Marshall University and did post-graduate work at Westminster Choir College and Columbia University.

Finishing a tour of duty in the US Army in Bremerhaven, Germany, he joined Glassboro State Faculty in 1956 where he founded the Concert Choir, taught voice, conducting, and chaired the vocal/choral division at various times. The GSC Concert Choir quickly became known throughout the state, singing for three governors’ inaugurations, and becoming known as The Governor’s Choir. He also had substantial involvement with the NJ Opera, having done Othello with Metropolitan Opera soprano Licia Albanese, Verdi’s Requiem, and Mefistofele by Boito with Met Opera bass Jerome Hines. He finished his tenure at Rowan in 1992 after 36 richly productive years and then joined the Gloucester County Community College faculty for five years. Miller served twice as ACDA state president and was one of four conductors chosen to assist in preparing a national 200-voice choir for the nation’s bicentennial at Interlochen Music Camp in 1976. His choirs performed for regional and national MENC and ACDA and NATS conventions. He was a member of all three organizations.

He received numerous awards including a citation from the NJ state assembly for outstanding service to choral art and a Distinguished Service Award from NJMEA. He was a member of Phi Mu Alpha honorary music fraternity and Alpha Tau Omega social fraternity and the Phi Kappa Lambda music honor society, and various professional and civic organizations. He was on the Institutional Review Board at Wills Eye Hospital/Philadelphia and had been inducted into the Chapel of the Four Chaplains. His influence on choral music in the state is legion. He was an Elder and former choir director at First Presbyterian Church in Pitman, NJ, and was an avid gardener.

Summer Conference Photos

See our Summer Conference photos here!  (Have some of your own?  Send them to our web manager: rick@mfrholdings.com)

Monmouth Civic Chorus Summer Sing

Monmouth Civic Chorus Summer Sing

Haydn Lord Nelson Mass

Wednesday, August 16- 7:30 p.m.

Monmouth Reform Temple

332 Hance Ave.

Tinton Fall, NJ 07724

 

http://monmouthcivicchorus.org/public/event/summer-sing-haydn-lord-nelson-mass/

 

 

One opening left in the Conducting Masterclass!

There is one opening left to conduct in the 2017 NJACDA Summer Conference conducting masterclass, led by Chris Thomas and Josh Melson.  Participants will conduct Mozart’s “Ave Verum Corpus” and Mark Miller’s “O For a Thousand Tongues.” If you are interested in conducting in the masterclass, email Josh Melson (joshm@pctr.org).  The session will need singers of all voice parts, so plan to attend even if you are not one of the participating conductors.